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In Pasquale Pozzessere's debut, a woman just out of prison falls in love with a man who saw steaing form a collection box in a church. Some critics saw a dry style next to Pasolini's as the director shows the two desperate individuals effort to build a sort of precarious family. In the end you could almost feel there's still a slender thread of hope for them to hang on

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На юг · Verso sud